(Thesis 2009) Musica Poetica in Sixteenth-Century Reformation Germany

(Essay 2006) Figurenlehre and Affektenlehre in Buxtehude’s Membra Jesu Nostri

(Essay 2005) Swiss made by Stravinsky – Musical Supranationalism in L’ Histoire de Soldat (1918)

(Essay 2008) Sources of influence on Johann Mattheson’s ideas on Musical Expression

(Essay 2006) State of Scholarly Research on Neoclassicism in Music

(Essay 2006) Musical Nationalism in Rimsky-Korsakov’s Russian Easter Overture

(Essay 2005) Russia ‘Re-imagined’ – Artistic Hybridism in Stravinskys Renard (1915 —1916)

(Presentation 2005) Remaking the Past: Musical Modernism and the Influence of the Tonal Tradition

(Analysis 2003) Aural Analysis of Twentieth Century Compositions

(Analysis 2002) Motet S’Amours/Au renouveler/ECCE

(Concert review 2002) ISCM Concert Filled with Intellectual Ears

(Concert review 2002) Golden Chinese Classics of the Century


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